Review @ PopSyndicate.com - Beasts of Burden #2

I've started doing comics reviews for popsyndicate.com, for my first one, I chose Beasts of Burden #2.

With the on-coming Halloween holiday, it seems appropriate to discuss Beasts of Burden. Spinning out of Dark Horse’s horror anthologies the book seems to be rather simple, neighborhood dogs (and a cat) dealing with supernatural dangers to themselves and their families.

Go here to read the full review.

JSA Vs. KOBRA - The Signening

Today, my local, and favorite comic book shop, Amazing Fantasy, hosted a signing for the art team for the JSA vs. Kobra mini-series, a book that I have raved about before. Suffice to say, it is still one of my favorite books hitting stands and it was nice to meet the guys and get some sketches from them. Since I had to bring my boys along, I let them pick the subjects of the art. Jack decided that the only two choices for him were "Batman or Ninjas" so I went with a Batman sketch from Don Kramer, penciller for the series who has also had runs on JSA and Detective Comics:


Sean, meanwhile, decided that he really wanted a drawing of Hawkgirl, so I asked Gene Ha, cover artist and also the artist for Top Ten, for a sketch and he rewarded me with the below:


Really, though I've only gotten a few sketches so far, this is probably my favorite one. He used one of Alex Roth's JSA covers for reference and he commented that it had an Alex Toth feel to it and I can see that in his art.

So a great time was had by all and a big thanks to Amazing Fantasy for hosting. Gene Ha, Don Kramer & inker Mike Babinski were all really nice guys ad I wish I could make it to Windy City Comicon next week to see them again.

Review: Dark Entries

DC Comics's adult imprint Vertigo recently launched a new crime line. I was fortunate enough to pick up the first two titles at the library recently and I barrelled through this one rather quickly. Getting star mystery novelist, Ian Rankin (author of the Rebus series) was quite a coup, the fact that he's writing a story featuring one of the stars of the Vertigo line, John Constantine is sure to be the icing on the cake. The only problem is that this isn't really a "crime" book at all, and only nominally a Constantine book.

Anyway, first things first. It's well done, and not having read any of Rankin's work up till now, it's obvious he has a nice ear for dialogue. The set-up is that John Constantine, paranormal/occult investigator is brought into a reality show, "Britain's Most Haunted". Apparently the contestants, who are locked in a "haunted" house are being, in fact, haunted. But it's not by the producers. Constantine decides that in order to diagnose the problem, he needs to enter the house.

It's around here that we hit the big twist of the story, one that it's really difficult to discuss the book without giving away, so if you want to skip the spoilers, scroll on down to where John's giving you the finger and read on.

It turns out that all of the "contestants" are really dead souls, pulled out of Limbo into a reality show being shown in Hell. The whole point of the show was to bring Constantine on board, the most requested contestant ever. It's here the story goes from being a detective story to straight up horror, and kind of loses the point as being marketed as being a crime story. But, it is quite good, so that's just an issue with the marketing.

My other issue with the book is that Constantine doesn't really feel like himself in this book. Sure, he's aloof ad a bit of a dick at times, but really, only at times. John Constantine is an asshole at all possible times, to everyone. This feels like the normal character on Prozac. I don't want to blame Rankin, maybe he (or editorial) felt they wanted to soften him up for wider consumption. But it just felt a little off for me.

The art by Werther Dell'edera is fine, nothing to write home about, but these books aren't meant to be artist's showcases anyway. HE does a fine job to set the mood and manages some touches that feel a bit like Guy Davis (B.P.R.D., Sandman Mystery Theater) in some of the later scenes.

A quick word on the format, it is damn nice. These small, 6" X 9" hardbacks have a very nice feel in the hand, reminiscent of the feel of Hardcase Crimes little paperbacks. Though they are small, they feel substantial. I may have to keep buy all of these just to see them all lined up on my shelf, much like how I like seeing all of my Hardcase books lined up. Yes, I realize that sounds a little anal/OCD, but the hell with it, one of the biggest charges I get out of collecting these things is seeing them all up on my book shelf. My preciouses....

Anyway, overall this is a good solid book, and I'm interested in reading more coming from the line, which is fortunate, because I have Brian Azzarello's book sitting right here, calling to me. Maybe if I get through this one quick enough I'll have something up about it mid-week, but I make no promises.

What's the Word?

The word is laaazzzzzyyyyyyy. Anyway, have been taking some time off from blogging lately for reasons both work (boo!) and personal (yay!). Anyway, in case you're not keeping up with me elsewhere, I can also be found on twitter: http://www.twitter.com/jason1749

Also, since long-form blogging seems to be beyond my attention span at the moment, I have been updating my tumblr blog quite a bit of late: http://www.phoning-it-in.tumblr.com

You can also clink on the linky thing over on the sidebar if you want to be my fake internet friend over at the Facebook. But I'm not there a lot.

But hey, it's Wednesday, so let's have a quick run-down of what I picked up this week at the shop*:

Batman and Robin #3: So the first storyline wrapped up in this issue and I liked it quite a bit. I like watching Dick & Damien growing into their roles as Batman and Robin and there's a nice character arc for them, even though this an "All New!!! All Different!!!' Dynamic Duo, I'm glad that this allows them to actually grow the characters. Morrison's writing is in par with the rest of his Batman work of late (very good) and Quietly, though there are some sketchy panels, once again delivers, and hopefully he'll be back after the next arc is over. I like the mixture of campy old-school villainy mixed with the new, more grotesque style on display here.

Detective Comics #856: While Batman & Robin is the flagship title of the Batman line, Detective is my absolute favorite book out there now. With Rucka firing on all cylinders at this point, it seems like he's finally getting to write the stories he wanted to after he created the new Batwoman in the pages of 52 (before she got drug into the whole Countdown/Final Crisis brou-ha-ha). This is some of my favorite work he's ever done, and he's long been one of my favorite writers working in comics, so that's saying something. As much as I can say about the writing, the art is just amazing. J.H. Williams III is turning in easily the best art that is being done on a big-two monthly comic right now. There's not much more than I can say about it other than to show off the cover below.



Wednesday Comics #8: While the universal love for this novel series seems to be waning, I for one am still enjoying it almost completely. Sure, the Wonder Woman and Teen Titans strips are dreadful, but once you realize that it's just like any comics section, with thing you like and things you skip, it's much easier to deal with thos. Consistently, the three MVP's of this series for me have been Supergirl (fun, goofy all ages comics), Strange Adventures (Paul Pope Adam Strange...exactly) and Hawkman (dude with a mace, hitting things...on Dinosaur Island). There are other strips that I like, but suspect will be even better in collected form (whateve novel form that is).

Nova #28: Nova continues to be one of my favorite Marvel books, simply by delivering large-scale, cosmic action. Though I have a feeling I'm missing a bit due to only reading this part of the War of Kings cross-over, I still love this series. Also, kind of kicking myself for giving up the monthly on Guardians of the Galaxy. Anyway, not much to say other than this is good stuff here.

*who you can also follow on twitter at http://www.twitter.com/amazing_fantasy

Live Tonight: THE DECEMBERISTS

Sorry for the lack of bloggery lately, but Summer's seemingly just moved into full swing. Anyway, going to see The Decemberists tonight at The Metro, and am suitably stoked. Picked up their newest album, The Hazards of Love and am enjoying it quite a bit. Os a complete album, it holds together much better than The Crane Wife (which I liked quite a bit).

So after I've talked about their last two albums, here's a track from their album before that, Picaresque, just because I love the video so much, with it's Rushmore meets The Daily Show conceit.

A Little Travelin' Music

While I promise to bang my thoughts about Pitchfork Music Fest into some kind of post before the week is out, I figured I'd throw some songs at you. Usually when I'm leaving work for the day, I need something to play in the car to wake me up from a day of staring at a computer and trying not to put my fist through it, so here's five quick tunes that help me work the funk out.

Lisztomania - Phoenix

1901, Phoenix's newest album is easily my favorite new music of the summer. Very reminiscent of Cut Copy's brand of indie-dance-pop, the whole album gets you wanting to jump up and down, but nothing is better than this, the lead track.

DC Comics & Chocolate Milkshakes - Art Brut

Though, I'll be honest, Art Brut's newest album is probably my least favorite of their albums so far, it's still damn good. This song, Eddie Argos sings about two of his favorite things in life, which also happen to be some of mine as well.

Safe European Home - The Clash

It's pretty safe to say that The Clash are my favorite band, so it's pretty easy for them to make this list. Nothing like singing this one at the top of your lungs with the windows open.

Pull Shapes - The Pipettes

I know, I know, I've evangelized about these ladies many, many times before, but I'm just going to tell you, this is great music and if you don't like it you're dead to me. Well, not really, but let me be dramatic just this one, k?

Evangeline - Matthew Sweet

Recently loaded Matthew Sweet's Girlfriend up on my work iTunes and damn if that isn't a perfect album. One of the few records I've listened to a million times in the past 18 years, and I still love it as much as the day I got it. And this is probably my favorite song.

So go get in your car, turn it up and have some fun people!

Happy Bastille Day!

Well, figured that post something...anything here, so here's a song with only a tentative connection to France:



Camera Obscura is a fave of mine and I highly suggest you check out their most recent album, My Maudlin Career if you like what you hear.

Comic Review: KICKBACK

Since David Lloyd, co-creator of V for Vendetta is going to be doing a signing at my local comics shop, I decided I should catch up on his more recent work, so I picked up his 2006 graphic novel, Kickback, and it's a nice little read.

Taking place in the fictional American city of Franklin City, the story begins with the police discovering a massacre in what looks like a drug deal gone wrong. Most interesting is that one of the victims is the city's biggest gangster, and soon the entire city is at war with the police paying the highest price. In Franklin City, every cop is on the take and it is a known fact that no one can prove. Our hero (such as he is) is Detective Joe Canelli, who at least feels bad about being corrupt, but explains it away as just being "the way things are". Along with investigating the case, Canelli has to deal with odd dreams he has of waling through some type of tunnel, dreams that have something to do with a child-hood tragedy.

Overall, this is a very good book, the setting and corrupt cops angle reminds me a lot of Ellis & Templesmith's Fell, another comic about being a cop in a corrupt city. Though this book is not nearly as aggressively weird as that one. It's also evocative of LA Confidential, which is about as high a praise as I can give a crime book.

Lloyd's art is as sharp as ever, he does some great work here, though some of the coloring looks a little muddy. Part of me wonders if that's an effect of the glossy paper that the book is printed on. Though my copy of V for Vendetta was lost in a flood*, I seem to remember it being printed on a much rougher paper that gave the colors a lot more depth. Other than that, my only other issue with the book is that a lot of the street signs and other background writing was added in digitally ad it doesn't seem to mesh well with the art on the page. A minor quibble.

This is a really good book, and Dark Horse has produced a nice hardcover for it, especially at the price of $12.95.

*I will be picking up a new copy at the signing.

Happy Fourth of July!

Despite the weather being far less than ideal here in the Chicago-land area, I hope everyone is celebrating a happy and safe Fourth of July. Here's a shot of patriotism from The Muppet Show to help you get in the mood:



Video via twitter pal, Joseph Finn.

What I Got - 7.1.09

Scored a boatload o' comics at the shop today, so let's talk about them.

Captain America Reborn #1

So he's back...or rather he's coming back. Maybe. But anyway, Cap's certainly alive and from the explanation we're given, it becomes pretty clear that they've been building this up since the very beginning of Brubaker's run on this series. Spoilers follow.

So Cap's become unstuck in time, and I had a feeling it would be something like this since the Red Skull and co. have made a lot of hints in the past that their plans involved one of Dr. Doom's time platforms. In the issue we are given the parallel stories of Cap in WWII, Carol trying to explain to the Avengers what's going on, Bucky & Black Widow breaking into a HAMMER heli-carrier, and Norman Osbourne meting with Arim Zola and all of them getting bits and pieces of the whole story.

Overall, this was very well done and though it's obviously a first/set-up issue, the pieces are moved into place nicely. My only problem with the issue is the art. Not that it's bad, in fact, this is far better work from Hitch than on Fantastic Four, but the inks by Butch Guice makes this look less like a Hitch book and more like a Butch Guice book. Again, I like Guice's stuff, and his art is very comparable to Epting and Perkins who were the back-bone of the art in Brubaker's Cap run, it just,seems odd. My other issue is that, during the flashback to WWII, Cap is in his Ultimate Universe outfit. I understand that Hitch probably spent a lot of time re-designing the costume for his gig on The Ultimates, but every time I saw it, it just pulled me right out of the book. These are all minor quibbles with the book, mind you. I'm really looking forward to see where this is going and I have a feeling it's going to be really good.

Justice League: Cry for Justice #1

I've been excited for this book since it was announced, however the preview that had been appearing in books last month left me cold. Once again, they were running out the old trope of a pro-active superteam, one that identifies threats and takes them down before they hurt people. We've seen this before (Justice League Elite, The Outsiders, etc.) and it never works. However, after reading the first issue I'm hopeful again. After we get the opening scene of Green Lantern yelling, "Fuck you Dad! I'm gonna fight crime on my own!" at Superman, we get a gathering of heroes who have recently met with a tragedy and who doesn't think that all of them have the same cause?

Anyway, it's well done, and I'm always happy to see James Robinson going back to Opal City, but the fact that so far we've only been introduced to 5 out of the 8 members of the team means we're probably not getting to the plot anytime soon. Anyway, it's good, maybe even very good, but I'm holding off on loving it till it gets somewhere.

OK, that's it for tonight. Maybe I'll get some more up tomorrow, including the best book of the week.

Michael Jackson

If you grew up in the 80's, and love good pop music, you probably have a mixed thoughts about Michael Jackson. On one hand, he was responsible for some of the most amazing and inventive music of our generation. On the other hand, he was widely suspected of committing some of the worst crimes you can think of.

Let's deal with the first one first. I don't know how you explain it to people who weren't around when he exploded onto the national consciousness with his performance of Billie Jean on the Motown 25 special back in 1983. Off The Wall had already been released and was a huge hit, but Thriller, and that performance in particular, turned him into the type of superstar that hadn't been seen since The Beatles, and has not been seen since (and most likely probably never will). Everyone was a Michael Jackson fan, when the Thriller music video was release on VHS (when I was nine), they actually took all of us out of class so we could all watch it at school. How did that happen? I have no idea, I just know I was caught along with it. I wanted a sparkly glove, just like Michael! So did everyone I know, and probably everyone you know that was conscious during that time.

But once that superstardom faded away, we were left with the music. Two perfect albums (and one that was pretty damn great), I still have my battered vinyl copies of all three of those (though only one is the original one that my Brother bought at Musicland at Orland Mall) and I'll be honest, I've really wanted to upgrade and get some nice CD's of all of them. And that's where the second part of Michael Jackson's legacy comes in. He was one weird motherfucker, and there was no denying it, really there wasn't a damn thing you couldn't accuse him of that you couldn't see being true, so when the pedophile allegations came out, no one had trouble believing it, and that's why I just couldn't drop any cash that could find its way into his pockets, much like the difficulties I have with other troubled pop genius/bat-shit crazy mofo Phil Spector.

So what am I trying to say here? Hell if I know, but it sucks that Michael Jackson didn't make more great music, and it sucks that his own ego/fucked up up-bringing/crazy-asssedness got in the way of that. But we still have the great music did make, and maybe his death will allow us to appreciate that a little bit more.

Father's Day Comics: Top Ten #4

Well, it's late on Father's Day 2009, and I just got struck with a great comic to talk about on this most "Dad" of days, and rather than let it marinate (and probably get forgotten about) for another year, I figured I'd just throw it out there before it's all over.

Top Ten is one of my favorite series of the last ten to fifteen years, part of Alan Moore's America's Best Comics line, it's the story of the police officers of Precinct 10, cops in a city populated solely by super-heroes. It's just an amazing series, and almost more that Moore's excellent writing, it is brought alive by the art of Gene Ha* and Zander Cannon. The sheer amount of detail thrown into the images is just amazing and it pays to go back over the art again and again for "easter egg" images. If you've been reading comics for any significant length of time, you owe it to yourself to check it out, as it takes the piss out of much from the genre.

Anyway, the Father's Day aspect of the book, during the course of an investigation, the detectives of the 10th pick up Ernesto Gograh who's father just happens to be the neighborhood Godzilla analogue:

Who happens to be not only a giant monster, but a drunk as well. Needless to say, things do not go well, as the drunk as a skunk monster-redneck throws up all over the neighborhood. Anyway, long story short, thanks to their staff size-changer, they manage to bust the big guy down to size:

So what does this have to do with Father's Day? Jack shit, but for some reason it just struck me as appropriate. So obviously, I have no idea what is and is not appropriate. Regardless, get the book, read the book, love the book..and then send me money.

Pre-Review: Underground #1

I've long made no secret of the fact that Jeff Parker is probably one of my favorite writers working in comics today, though most of his work that I've read of his has been his work for Marvel, specifically his excellent work on Marvel Adventures: Avengers and his own creation of Agents of Atlas. I've always intended to pick up his independently published graphic novel, The Interman, but have yet to. Anyway, when I heard that he was going to be working on a series with Steve Lieber, artist on one of my favorite series of the last ten years, Whiteout* I was excited to see what they were going to come up.

Fortunately, they posted the entire first issue on-line, so I took a looksie at it and it's pretty great so far. Very reminiscent of Whiteout, and not just because of Lieber's excellent artwork, though it certainly helps. The series is set in Marion, KY in the Appalachian Mountains, which has little going for it other than a set of spectacular caves which they are itching to turn into a tourist destination, however, it's up to the government whether they are allowed to turn a national landmark into a tourist trap. Though most of the residents of the depressed region are all for it, Park Ranger Wesley Fisher would like nothing better than to not see another human being step foot into the caves to preserve their unique ecosystem. Of course it's this clash of ideas that cause things to go wrong. Though the first issue is largely set up, it flows very well and gives you a great feeling for the characters. As I said above, Lieber's art is great and looks fantastic in black and white in the preview, it'll be interesting to see it in full color.

Anyway, the book so far is pretty great and I heartily recommend hiking on down to your local comics retailer and putting in an order for the first issue, hitting stands in September. Check out the web site they've created for the book to learn more!

*I hope to have a Favorite Things post up on Whiteout soon.

Always Remember....

Lobot was a stone cold motherfucker who
would kill you just as soon as look at you.

Captain America #600

So here it is, Captain America #600, the book that's been talked/bitched about for the last few weeks. Since my shop was kind enough to request the Monday delivery of the book I figured that I'd pick it up, and much like every issue of Ed Brubaker's run on the series so far, it's pretty darn good. Now mind you, it's an anniversary issue, celebrating 600 issues of Captain America in the real world, and a year since Cap was shot & killed in the Marvel Universe. Mostly it's a series of vignettes featuring the main characters in the book showing how they were going to mark the anniversary, along with some remembrances from some of his former supporting characters.

But that's about it, except for one plot point revealed in the very beginning, the big event that we all thought was going to happen, doesn't happen here. It's all a big "To Be Continued In Reborn" which doesn't really bug me, but if anyone actually picked up this book based on the mainstream media coverage, man, are they gonna be pissed since it doesn't happen here, just the ball starts rolling, but it all feels like a giant bait & switch. I love what Ed Brubaker's done with Captain America, making it one of the best superhero comics of the last 10 years, but Marvel's continuing jackassery about how they're marketing it is a giant thorn in my side.

Overall, if you've been enjoying this book, your enjoyment will continue. If you haven't been, well, start at the beginning.

Boosterism: JSA VS. KOBRA: ENGINES OF FAITH

A couple of weeks ago, I got lucky enough to lay eyes on some of Don Kramer's original, inked art for this new mini-series and it was nothing short of stunning. I've been a big fan of Kramer's work for a little while, but this was some of the best work I've ever seen from him.

I'd actually been looking for this series for a while, mostly because of the writer, Eric Trautman, who hasn't written much, but served as Greg Rucka's co-writer on the far too underrated Checkmate!. In that series, they managed to take Kobra, what could have easily been DC's Hydra knock-off and turned it into a credible, currently-relevant threat to the DC Universe. Up until now, most of the "terrorist" organizations existing in the big two comics have been rather lacking in terror, but they've really managed to rachet things up very well.

So anyway, if you find yourself at the shop on Wednesday with an extra $2.99 burning a hole in your pocket, you could do a lot worse than to pick this one up.

Daredevil: Lady Bullseye

I'd been holding off on picking up the latest volume of Daredevil, partly because, though I've been enjoying Ed Brubaker's run on the title, my enthusiasm as waned a bit with each ensuing volume, and partly because most reviews I've seen have been rather lukewarm about it*. Anyway, so after a crappy day at work, I decided to give it a swing anyway and while it was certainly not bad, even very good in parts, I'm still not fully sold on it.

Part of the reason I've been cooling on the series as a while is that, frankly, I'm getting tired of Matt Murdock. I know, he's supposed to be the "hard-luck, self-destructive superhero", but now he's just turning into an asshole. After his wife was driven insane, he's now (guiltily) making time with private investigator, Dakota North. Even as he fights his wife's parents in a custody battle. I realize that if it wasn't for bad luck, DD wouldn't have no luck at all, but this is just getting to be too much. I half expect for Brubaker to have Matt adopt a cute puppy, only for him to cheat on it and then have Mr. Fear boil it for good measure.

The main thrust of the story itself is that with the ninja clan, The Hand in chaos after the events of Secret Invasion, they have designs on Daredevil, and some of his friends (including personal favorite, Iron Fist). Leading up this effort is the titular Lady Bullseye, who as a whole isn't a bad villain (no pun intended), but, as her name suggests, she lacks originality. As Lori** recently discussed, Marvel has seemed to have given up on creating new female characters and just is issuing female version of current male ones (or in the new She-Hulks case, new versions of female versions of make characters). While I really can't fault Brubaker's writing of this character, I just have a hard time buying into Lady Bullseye, because, at the end of the day, she's just a copy. Of a villain that, due to his recent ubiquity in the Marvel Universe, we're all pretty sick of.

But that's not to say that I didn't like it. It did have some really good parts to it. One of my favorite Daredevil tropes is his teaming up with other ninja-types and this book delivers on that, along with the aforementioned Iron Fist, we get the newly re-formed Black Tarantula, and Master Izo, who was apparently Stick's teacher. From there we get some good battles where the good guys lose some ad the bad guys lose some more, ending with an offer to Daredevil that I saw coming a mile away. And to be honest, I'm kind of sad DD made the decision he did (spoilers ahead).

As I had guessed early on, The Hand were sizing all of the heroes up to see if they thought any of them were ready to take over leadership of The Hand. While I have been enjoying the adventures of Daredevil: Hard Luck New York Lawyer!, I'd really like to see them shake up the premise a bit. It's been a decade since Daredevil was brought back to prominence and really, other than the unmasking, they haven't done too much to shake him up. It would be nice to get him out of New York and let him do something new. That said, the premise of "crusading hero takes over international criminal organization and tries to set them straight from the inside" is already being done, and done well in Agents of Atlas, so maybe they'll need a different tack to shake things up here.

Anyway, Brubaker's*** only got one more volume before he moves on from the title, so hopefully he'll toss in a curveball in the next little bit. Regardless, as a while, I've loved his run on the titles, more than anyone else's, short of Miller's run.

*Oh yeah, and also because it's over-priced...$17 for 5 issues Marvel? You really are a bunch of dicks, aren't you?

**Manager of my local comics shop, who has recently started her own blog, check it out!

***And along with him, excellent artist Michael Lark. It's a shame I didn't mention him earlier, but it's kind of hard to critique his art, since it's consistently perfect.

What I Got - 6.3.09

Fuck it, I'm bored, let's talk comics.

Batman and Robin #1

So begins Grant Morrison & Frank Quitely's rebirth of Batman, etal. I have to admit, I wanted to like this book, no, I wanted to love this book and rarely does that lead to good things, but, as of right now, I gotta say I love it. While it's probably an understatement to say that Morrison often over-complicates his plots, this is a straightforward, very quickly* told story. He gives us an introduction to the new status quo and introduces the new threat to Gotham City in a very elegant way.

I must say, though I liked the idea of [SPOILER] Dick taking over as Batman, I wasn't exactly sold on Damien. He's always been a little shit and just couldn't see how they could make him into a likable character. But here, he seems to have turned a corner, though still arrogant, he's lost some of the asshole-ish edge that he had to him. It is an interesting dynamic (no pun indended) to switch up the personalities involved with the duo. You have Batman, who doesn't really want to be Batman, and a Robin who would only be too glad to take over.

Morrison's work on Batman has shown flashes of brilliance (the Club of Heroes story), but has also been a bit of a mess, but now you get the feeling that this was the story he signed on to tell. I look forward to see where this is going.

A note about the art, I realize that Quitely's art is not to everyone's taste, but he does some pretty great work here. There's one page that I just fell in love with:

I've always loved those cut-away shots that they did to show off the heroes' or villains' lairs and this one is no different. Plus, Wayne Tower even has bat-ears!

Agents of Atlas #6

This book has been another one that I've wanted to love so bad, but up till now, it just hasn't fired on all cylinders. I absolutely loved the original mini-series, but the on-going just has missed that certain verve the original had. Up till now at least, though I'm hesitant to say that it's made the leap back to where it was, it's building up. Part of it could be that this is the first issue of the series that's not dividing the narrative between the past and the present, allowing Jeff Parker to tell a more coherent story. Plus removing the team from the Mora's of the current Dark Reign crossoverclusterfuck makes it that much more enjoyable for the rest of us not following along.

I do like that they're following up on the Namorra/Namor romance brought up in Hercules recently, complete with an exhaustive explanation that their relationship is not incest**. It's also nice to see the return of former S.H.I.E.L.D. agent Derek Kahnata, who figured in tot he original series greatly.

Also, special mention has to go to artist Gabriel Hardman, his work is very reminiscent to Michael Lark and Sean Phillips stuff and it's really grown on me. Hopefully they can keep him on this book for a while because I look forward to where it is going.

OK, looks like I only got two reviews in me for the night, but that's what I really loved this week.

*Very quickly, if there's one big criticism of this book is that it reads way too fast.

**"Ken Hale's, "I guess they even got hillbillys under the sea." is definitely the line of the week.

CRAKKAJAMMA!!!

Just a friendly Wednesday evening reminder that if you're not reading The Incredible Hercules (comics' #2* purveyor of the finest violence-based onomatopoeia around), boy, are you missing out. What are you waiting for?

*#1 being, now and always, Walt Simonson's Thor.

Movie Review: UP

Pixar's tenth movie has just been released and I think UP is the most daring of the lot so far. Yes, even more daring than the one about the rat that was a chef. I'll get it out of the way up front, I loved the movie and thought it was excellent, but it (at least as of right now) isn't my favorite of their movies.

UP begins with the story of Carl and Ellie, who meet during childhood, joined by their love of adventure. We see, in a beautiful sequence, them fall in love, get married, and watch their dreams of adventuring together slowly fade away as life intervenes and finally Carl is left alone in their house awaiting the loss of his own freedom (as he is being put into assisted living). As a last ditch effort, to live his & Ellie's dream, Carl floats his house away on thousands of balloons towards South America, joined by Russell, an unwitting passenger, who is a Wilderness Explorer seeking to get his Elderly Assistance merit badge.

This is a beautiful film, but also a very melancholy one. From Carl's loss of his wife, to Russell's absent Father, hell, even the talking dog is sad most of the time. I think the key is that almost all of the characters feel that they've failed and are in some way useless. While it may seem odd subject to broach in what is ostensibly children's movie, it's actually pretty apt. Watching my eldest (age 6) push his way through Kindergarten this year, dealing with failure is probably one of the earliest lessons kids learn and rarely do we actually attempt to teach them anything about it. He's wanted to read so badly but it's very hard, especially when you have the patience of..well, a six year-old.

The one thing that surprised me about the movie is that is very emotional, while the inital Carl/Ellie courtship scene is sure to bring the tears, there are several other occasions that got things a little dusty in the movie theater.

Overall, this is a pretty fantastic movie, though there are valid criticims to be made, especially with regards to the sometimes slow pacing, I was still won over by it.